Critical Race Museology (CRM)
examines how museums and galleries are implicated in the production of race and racism, analyzing racialized collections and exhibitionary spaces via such lenses as gender, sexuality, class, colonialism, and nationalism, and addresses intersecting legacies of settler colonialism and slavery. CRM applies critical race theory to permanent exhibitions in two major Canadian museums , using workshops and advocacy to change exclusionary institutional practices and habits. Sustained and fairly-compensated collaboration with a diverse group of local Black cultural workers, artists, and university students will produce exhibitions that combat anti-Black racism and promote nuanced understandings of communities and national cultures.
(Partners: Royal Ontario Museum, Montreal Museum of Fine Arts).