“Indigenizing Museums and the Move Toward Decolonization:
Successes and Ongoing Challenges”
April 15, 2016 5:30-8pm (light refreshments provided) Loeb C164
Carleton University Ottawa, Ontario
(Photo provided by Amy Lonetree)
Dr. Amy Lonetree will be giving a keynote lecture at Carleton University as a part of the Decolonizing Curatorial Pedagogies workshop organized by the Thinking through the Museum project team and spearheaded by Dr. Monica Patterson from Carleton University.
Dr. Lonetree’s lecture examines the current state of contemporary exhibition practice with, by, and for Native Americans at both national and tribal museums. Central to her analysis is exploring how museums can serve as sites of decolonization by privileging Indigenous knowledge and worldview, challenging the stereotypical representations of Native people produced in the past, and discussing the hard truths of colonization in exhibitions in an effort to promote healing and understanding. Addressing this history is an important part of a decolonizing museum practice, and her paper will explore how we can extend our understanding of the potential of museums to be “sites of conscience” and forums to address difficult knowledges.
Dr. Amy Lonetree is an enrolled citizen of Ho-Chunk Nation and is an Associate Professor of History at the University of California, Santa Cruz. She received her Ph.D. in Ethnic Studies from the University of California, Berkeley in 2002. Her scholarly work focuses on the representation of Native American history and memory in national and tribal museums, and she has conducted research at the Smithsonian’s National Museum of the American Indian, the British Museum, the Mille Lacs Indian Museum in Minnesota, and the Ziibiwing Center of Anishinabe Culture and Lifeways in Michigan. Her publications include, Decolonizing Museums: Representing Native America in National and Tribal Museums (University of North Carolina Press, 2012); a co-edited book with Amanda J. Cobb, The National Museum of the American Indian: Critical Conversations (University of Nebraska Press, 2008); and a co-authored volume, People of the Big Voice: Photographs of Ho-Chunk Families by Charles Van Schaick, 1879-1942 (Wisconsin Historical Society Press, 2011). She is currently working on a visual history of the Ho-Chunk Nation from 1879-1960.
To reserve a FREE ticket to this event, please visit the ticket page here.
Coming soon: full workshop itinerary, highlights, and outcomes for Decolonizing Curatorial Pedagogies available here.
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