Dr. Failler Co-Edits New Volume on 1985 Air India Bombing

Thinking through the Museum is pleased to congratulate Dr. Angela Failler on the publication of Remembering Air India: The Art of Public Mourning (University of Alberta Press), a new volume co-edited with Drs Chandrima Chakraborty and Amber Dean (McMaster University).

The volume’s synopsis reads: “On June 23, 1985, the bombing of Air India Flight 182 killed 329 people, most of them Canadians. Today this pivotal event in Canada’s history is hazily remembered, yet certain interests have shaped how the tragedy is woven into public memory, and even exploited to advance a strategic national narrative. This collection investigates the Air India bombing and its implications for current debates about racism, terrorism, and citizenship.”

Remembering Air India has already gained the attention of notable commentators including Bob Rae who has written a review of it for the Literary Review of Canada. Rae, former premier of Ontario (now lawyer and distinguished professor at the University of Toronto), authored an influential report on the Air India bombings in 2005 while serving as Advisor to the Minister of Public Safety Canada. Of Failler et al.’s volume he observes, “The book is filled with impressive arguments…and thoughtful recollections and analysis that bridges the gap between scholarship and lived experience,” adding, “Let it be the beginning of a reckoning and a reconciliation, not the end of the story.”  

Failler, who has been working on the topic for over a decade, says that the innovation of this collaborative effort lies in how it “draws together academic analysis, testimony, visual arts, and creative writing, tendering a new public record of the bombing, one that shows how important creative responses are for deepening our understanding of the event and its aftermath.”

The collection also includes contributions from Uma Parameswaran, Cassel Busse, Chandrima Chakraborty, Amber Dean, Rita Kaur Dhamoon, Teresa Hubel, Suvir Kaul, Elan Marchinko, Eisha Marjara, Bharati Mukherjee, Lata Pada, Sherene H. Razack, Renée Sarojini Saklikar, Maya Seshia, Karen Sharma, Deon Venter, and Padma Viswanathan.

More information about the collection can be found on the University of Alberta Press website.

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Thinking through Inuit Art

Research team members view new Inuit art acquisitions in the WAG's art vault.

Research team members view new Inuit art acquisitions in the WAG’s art vault. (photo credit: Lauren Bosc)

On February 12, 2016, Thinking through the Museum team members participated in a workshop on Inuit art and curatorial practices at the University of Winnipeg and the Winnipeg Art Gallery. Go to Collecting and Displaying Inuit Art under the Workshops tab for more description and a photo gallery.

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#thinkingthrough the Witness Blanket

The Witness Blanket

The Witness Blanket, detail. (image credit: Angela Failler)

Members of our research team visited the CMHR to view “The Witness Blanket” exhibit and hear the artist talk on January 20, 2016. Carey Newman (Ha-yalth-kingeme), a master wood carver of British, Kwagiulth, and Salish ancestry from Vancouver Island, is touring his work across Canada over the next 7 years. The piece includes objects collected from Indian Residential Schools, survivors, and family members in Canada from coast-to-coast-to-coast. For more on the exhibit visit http://witnessblanket.ca/

Listening to the artist speak to the layers of story and memory in his piece brought The Witness Blanket to life. His description of the emotional labour that went into working with and through the objects was as powerful and moving as the piece itself. Learning from difficult knowledge requires more than collecting information about the past. Lauren Bosc

The Witness Blanket IOS Mobile App is one of the most effective digital extensions of an exhibit I have encountered. It brings home the depth of the collection, making its objects accessible beyond the museum itself. It also raises the question of how difficult knowledge might be mediated through exhibition design. Angela Failler

To me, the braids of hair near the center of the blanket represent the notion of losing connection to culture. This detail illustrates the robbed childhood of a (First) Nation and a legacy of abuse many Canadians have yet to come to terms with. Anna Huard

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